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Bring Me the Head of Quentin Tarantino: Stories by Julián Herbert and translated by Christina McSweeney is published by Graywolf Press.

I'm in kind of a slump right now but I want to try and write a review for this collection, and also to get around to writing a review of the other small-press short story collection I read a few weeks ago.

Yes, I picked this one up because of the title.

This is a really interesting collection of stories- the back of the book says "Herbert asks: Where are the lines between fiction, memory, and reality? What is the relationship between power, corruption, and survival? How much violence can a person (and a country) take?" and I think those are really good questions for getting at what the stories are like. There stories all have at least one absurd element to them, but in a way that made me think "Oh, yeah, of course."

I was going to say that "White Paper" was the weirdest story, but I think it's actually "Caries," which contains pictures of the inside of someone's mouth and a lot of sheet music. And it was really interesting! The discussion of art and chance was really cool. "There where we stood" was very short and had a wonderful final line. "
M.L. Estefanía" really nailed that "absurd but also realistic" feeling, and "Z" was an interestingly banal zombie story. I do not remember "The dog's head" even though I read it yesterday.

And, of course, there is the final and titular story "Bring Me the Head of Quentin Tarantino," which I suspect people who are more familiar with his work than I am would get more out of. I still really liked it! It struck me as a meta-commentary, and it was really well executed. I don't know how connected all the stories are (or can even be), but the final line of the book brought everything full circle and I found it delightful.

Without having read the original work, I think McSweeney did a good job of translating and getting across the heart of the stories. The prose and the ideas of the stories reinforce each other.


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(I didn't do a Small Press Spotlight for September so I'll do two in October)

Her Body and Other Parties by Carmen Maria Machado is a short-story collection published by Graywolf Press.

I've wanted to read this book for ages- possibly since it first came out and I first saw the title- but only got around to it now. I'd read "The Husband Stitch" before (thanks, ling!), but everything else was new to me.

Machado's writing is so atmospheric and evocative, and it's very absorbing. I don't think any of the protagonists were named in this collection ("Especially Heinous" aside) which was an interesting choice that I really liked. I was mildly disappointed there wasn't a story actually titled "Her Body and Other Parties," but the collection title really worked with the themes of the stories within- the concept of bodies and women's bodies and being a woman having a body.

"Especially Heinous" was really well done- SVU where they are literally haunted by the ghosts of girls who were not saved. The episode summaries and seasonal arcs were fantastic and haunting. "The Resident" was also deliciously creepy and upsetting. "Inventory" and "Mothers" were tragic and hopeful. I think "The Husband Stitch" is probably my favorite of the stories in the collection, with "Difficult at Parties" being my least favorite, but the biggest strength of the book is how the stories all fit together so well, I think.

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Not quite the last day of the month, but cutting it close!

Who are they?

In their own words: "Graywolf Press is a nonprofit literary publisher of poetry, fiction, nonfiction, and work in translation."

Graywolf Press is a Minnesota-based independent publisher. It started publishing poetry, but has grown to publish nonfiction and fiction as well. It has been very successful, with a lot of critical acclaim and awards. The company is small, but offers paid internships and fellowships every year.

It also has two prizes- the Graywolf Nonfiction Prize, offered to American authors; and the Graywolf Press Africa Prize, for African authors "primarily residing in Africa."

Website and Store
The website is clean and clear, with bold font and a general color scheme of black/gray/red on white. The front page gets a little busy as you scroll down.

The store is divided by genre (fiction/poetry/non-fiction) and "featured" books. The cover for each book is prominently displayed, with the title, author, and date of release under each cover. Graywolf doesn't do direct distribution, but it provides links to purchase its books at various outlets. It doesn't advertise its ebook versions, but the outlets do provide links to them if they exist.

Have I heard of/read any of their books?
Boy, have I! This year I read In the Dream House by Carmen Maria Machado, and it's one of my top books of the year. I've also heard of Her Body and Other Parties, also by Carmen Maria Machado; The Argonauts by Maggie Nelson; The Adderall Diaries by Stephen Elliott; Blackass by  A Igoni Barrett; and more.

Anything else?
Not really! It seems like a solid press with a lot of good books.
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I was surprised to realize In the Dream House was published by an indie publisher, because it had such great marketing. Then I thought back and realized I don't think it actually did have a ton of marketing- it was mostly word of mouth and excellent reviews, and I really wanted to read it. Whether there were big bucks put into the launch of this book or not, two things are true: In the Dream House was published by Graywolf Press, an independent, nonprofit press; and In the Dream House deserves every excellent review it has and will receive.

In terms of formatting, the way In the Dream House is broken up into dozens of little chapters (if that's the right word- I think "lenses" might also be accurate) makes it so it is possible to linger over one, to stop and reread it and even close the book just to think about it, but it's also incredibly easy to read one more, just another, ok I have to go but first I'll just read the next two, and maybe the two after that as well. The footnotes, more often than not references to Thompson's Motif-Index of Folk-Literature, add another lens to the story: it's a folk tale, a fairy tale, something academic. Several chapters really stood out to me- Dream House as Queer Villainy; Dream House as Gothic Horror; Dream House as Choose Your Own Adventure; Dream House as Deja Vu; Dream House as Deja Vu; Dream House as Deja Vu. This isn't to diminish the other chapters. Those are just the ones that hit me hardest. The second-person perspective throughout most of the book is incredibly effective

In terms of writing, In the Dream House is gorgeous and haunting and tragic. In some places it is very stark, and in some it seems to obscure what happened, and throughout I read a tenderness for the person she was. It's beautiful. I was a fan of her writing before, and I continue to be a fan. Talking about her writing is difficult for me, because I just want to shake my hands in the air and go "It's really good, ok?!"

It's really good, ok?

In terms of subject matter, In the Dream House is simple- it's a reflection on an abusive relationship. Except it isn't actually simple, because what relationship is? And, as Machado points out, it's complicated by the fact they are both women, and by the fact the woman in the Dream House is tiny and white and blonde, and Machado is none of those things. It's also about her life, and what led up to the woman in the Dream House, and what influenced Machado, and reflections from the future. And it is about the queer community, or parts of it, and heteronormative society, and abusive relationships in general. And it's about margins, ephemera, negative space.

I got my copy of In the Dream House from the library. In March of this year, the paperback edition comes out, and I'm definitely going to buy it (I prefer paperbacks).

It's really good, ok?

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